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The canon of his work always plays in a square grid. The drawings on scale paper illustrate this. The story that he drew his city drawings of Frankfurt am Main on squared paper as a schoolboy appears in this context as a premonition of what we have been getting "orchestrated" from him since the 1960s. This is how Eugen Gomringer describes it in a catalog text, referring to the musical element of Kunibert Fritz's work.
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